A timelapse video Arturs Daukulis and I created for MakerBot.
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Checkout the video I created for The Hive and Gensler's joint venture.
Global design firm, Gensler, and digital signage and interactive agency, The Hive, unveil an innovative augmented reality experience. Known as The Hive / Gensler Multi Surface Experience, the installation is designed to engage and inform visitors to Gensler’s award-winning downtown Los Angeles office.
Located in Gensler’s lobby, the smart space installation is designed
to showcase the architectural firm's portfolio of work. The experience
attracts users toward a digitally augmented table, and book. The table
is the SLO_Gen Table, an iconic collaboration between Gensler
and architecture students at California Polytechnic School in San Luis
Obispo. An interface appears on the table allowing visitors to use
movements such as hand motions to digitally explore the content of
Gensler’s urban architecture and modern cities monograph. The
installation enhances each object with a new layer of digital content,
and adds new context to the contents of the book.
The interface allows guests to access digital media from Gensler’s
vast portfolio on a connected 4k video wall. This exceptional tableau
showcases the firm’s work on across a variety of sectors ranging from
expansive international airport projects in Palm Springs to Chennai, to
intricate retail experiences in leading luxury stores—which can be
explored on the video wall, or in the book.
The installation is an experimental project created by Gensler and
The Hive to demonstrate the possibilities of a seamless integration
between physical space and digital experience. “As architects and designers we try to understand how technology and experience affect the spaces we design,” said Alan Robles, experience designer at Gensler. “The
Hive/Gensler Multi Surface Experience is a groundbreaking smart space
that allows people to interact with their environment in a way that’s
never been done before.” “Spaces are evolving, just like users’ expectations of space are
evolving. This installation is a channel that a user can experience,” The Hive’s Multi Display Expert and Co-Founder Yahav Ran says. “Just
like a broadcast channel, or any other channel, it needs fresh,
relevant content to appeal to users. Our challenge was to create a
sustainable mini-channel that will keep visitors engaged, and excited.” The Hive/Gensler Multi Surface Experience was built by The Hive using the latest products from technology partners Canon, Planar and YCD Multimedia. A Canon REALiS WUX5000 projector displays the interface and augmented reality components, while a four-panel Planar Clarity™ Matrix LCD Video Wall System displays the content from Gensler’s portfolio, using software from YCD. YCD|Wall enables a 4K playback over the Planar video wall, and YCD|CMS interacts with the custom software created by the Hive, namely the user experience and augmented reality components. "We are proud to partner with Gensler, one of the most
prestigious architecture firms in the world, and The Hive, a world-class
interactive studio,” Sam Losar, President of YCD USA, says. "The
success of this project reflects how close collaboration with the right
partners provides a winning solution for our customers.”
Other technical components include Microsoft’s Kinect for Windows
cameras, the Kinect for Windows Commercial SDK and OpenCV (Open Source
Computer Vision), which interprets the reality of the Gensler lobby,
allowing the experience to be reactive to its surroundings in real-time.
The Multi Surface Experience is the first version of an ongoing collaboration between Gensler and The Hive. “This is just the beginning,” commented Jennifer Davis, vice president of marketing, Planar. “The
application of this design will be natural in corporate lobbies, retail
showrooms, as well as hospitality, healthcare, and institutional
projects. The combination of digital and physical interfaces in an
existing space, combined with the ability to show rich, and ultimately
personalized, content, is what will make it applicable across markets.”
Here’s a candid of Hive photographer Andrejs Lazdins
“on-location” during an aerial video capture session. He used a RED Epic
and a Canon DSLR to capture scenes of San Francisco’s distinct
skyline, on day 12 of a 25 day shoot. The assets they captured represent
the vibrant local aesthetic, and were delivered as 5k videos
(5120x2700px) and 21-megapixel still images.
Andrejs and his colleague Arturs Daukulis had to use gyro-stabilizers
to enable capturing media from a private helicopter. The pair also used
safety harness, as the pilot had removed the doors and they were
hanging out of the helicopter for portions of the shoot.
They say that while flying in a helicopter above downtown skyscrapers
and beneath the Golden Gate Bridge was the highlight of the project, it
wasn’t the only adventure. Day 21 required a mile-long uphill hike in
the moonlight, where the pair carried two suitcases, two backpacks of
equipment and a couple of tripods, which, they tell us, was memorable
for entirely different reasons.
The 2012
Lib Tech Downtown Throwdown pre-season event series came to a conclusion on
Saturday October 27th at San Francisco’s Civic Center in the shadow of San
Fran’s City Hall dome. Krush Kulesza and Snowboy Production once again played
God by bringing the snow to the streets to create slick scaffolding setup that
included a down-flat-down ledge, an up-down bar, and a pole jam-to-round
bar-to-donkey dick with all three of these jibs feeding into a course wide head
high wallride zone.
The 20 riders onhand for this return to San Francisco ran the gamut of next
generation jib talent with many notable film pro’s making a rare appearance in
a contest setting.
Though a handful of resorts are open most of the attendees still had their
summer legs underneath them. Despite having a handful of days at A-Basin under
his belt Dylan Alito, dressed as Ronald McDonald, couldn’t pull off the Mac
Attack and he violently scorped to his chest and shoulder from a supersized
attempt at the down-flat-down ledge and left the venue coughing up blood.
Joining Dylan on the DL was Norcal local Sammy Spiteri who may have torn his
rotator cuff early in the running. Rounding out the trio of upper torso
casualties was Bear Mountain’s Daniel Brown whose shoulder kept popping out
with each failed trick attempt. Though these were the most serious injuries
pretty much everyone in the field was bruised and bloody by the end of the
finals due to how heated the competition was.
The extended jam was well over two hours long and in that time a flurry of
fancy footwork was on display including crowd pleasing flips, technical switch
maneuvers and various spin on, spin off wizardry. DWD’s Sean Genovese, Gnu’s
Forest Bailey and Monsters Bode Merrill were tasked with judging the whole deal
and consistency was a serious consideration. The results could have shook out
any number of ways and a 16 way tie wouldn’t have been unwarranted but
ultimately there needs to be a set group of winners and losers. The official
results are as follows:
Bode Merrill’s Bakers Dozen Shoot For The Cosmos Award - Johnny Brady; 13 Cosmo
Shots (Wallride Crippler)
Monster Moment Best Trick Award- Brendan Gerard; $500 (Pole Jam FS 180 switch
50-50 half-cab out)
5th Place – Andrew Brewer; $500
4th Place – Ted Borland; $1000
3rd Place – Dylan Thompson; $2000
2nd Place – Brandon Hobush; $3000
1st Place – Nial Romanek; $6000
Here are the specific standout tricks according to the riders in the field:
“Nial Romanek’s nollie FS 180 to switch nosepress.” – Johnny Brady
“Nial Romanek’s FS 180 to switch nosepress oppo FS 180 out.” – Andrew Brewer
“Brandon Hobush’s switch BS 270 on the down rail.” – Dylan Thompson
“Nial’s FS 180 switch nosepress halfcab out.” – Max Warbington
“Brandon Hobush’s 3 270’s in a row.” – Ted Borland
“Brandon Hubush’s switch BS 270 on the rail.” – Nial Romanek
"Fuck man, think I hit my head so many times I can't remember a stand out
answer. Anything bundy laced on the down bar, hobush 3for3 270's in a row,
Jhonny's front cork by far, nials nollie hardway nosepress was nuts. Pretty
sure it's never been done. Pretty much all downbar shit, but Brendan Gerard I
think charging that gap out front blunt sameway. Don't know who was doin ill
backside handlpants, but bundy's cab 270 to slidin a solid switch blunt on the
quarter pipe mighta been my favorite. Or if Johnny woulda laced that HW back 1
cab 3 with his timeless style woulda been number one. Buncha rad shit went down
but I kinda just tried to concentrate and eventually learn how to ride that
shit which was a waste of time and watched my homies. Shit, Nial switch front blunt
and bringing back so straight right through the donkey. Dudes raw and does some
crazy tricks. Wish I wouldn't have rode and just watched but it was almost
enjoyable gettin' played so many times. The crowd always wants to see some
slams." - Chris Larsen
"Nial Romanek's nollie nosepress FS 180" - Daniel Brown
The San Francisco Downtown Throwdown 2012 was sponsored by Lib Tech, Monster
Energy, Arnette, Mt Bachelor, Diecutstickers.com, Sierra-at-Tahoe, and SFO
Snowboarding and Snowboarder Magazine. Check back to Snowboardermag.com for the
full video recap coming soon.